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Afrocuba: Works on Paper 1968 - 2003Afrocuba: Works on Paper 1968 - 2003
Judith Bettelheim
with contributions by Alexis Esquivel and David Mateo
2005 San Francisco State University

This work documents a historic art exhibit by the same name that was inaugurated in 2005 at San Francisco State University and then traveled to various US universities. It foreshadowed the later exhibits of Queloides III (2010, Pittsburgh, Havana) and Grupo Antillano: The Art of Afro-Cuba (2015, Harvard) . Dr. Judith Bettelheim, an anthropologist specialized in the African Diaspora, curated the exhibit and edited the book.

"Dr. Bettelheim has put together a gallery of art works by 25 noted younger, contemporary, Cuban artists. The closing section is on Belkis Ayon, who died in 1999. A representative work of each of the artists faces a one-page essay on him or her. Many of the pictured works are from the past year or two. The oldest are from the 1970s. It's an eye-opening catalog displaying the liveliness and imagination in Cuban art works on paper over the past 30 years. One sees that Cuban art has not been retarded by U. S. efforts to ostracize Cuban under the Castro regime; and that as far as its art goes, Cuba reflects the latest in modern and contemporary art with respect to content and style, and in some cases political and social perspective. The Afrocuban works on paper contain all of the irony, postmodern collage, and abstract and biological forms of art of any country, while at the same time reflect earthy African roots and the social tensions and artifices of Cuba. A professor of art history at San Francisco State U., Bettelheim's area of concentration is the African Diaspora." - from Amazon.com

The cover is from Elio Rodriguez, a Cuban artist with a good sense of humor.

The following is a list of artists in this book, with links to our page on them where we have it:

José Julián Aguilera
Joel Aguilera Tamayo
Raúl Alfaro Torres
Belkis Ayón
Diana Balboa
Choco (Eduardo Roca Salasar)
Juan Roberto Diago Durruthy
Nelson Domínguez Cedeño
Alexis Esquivel
Roberto Fabelo
Ramón Haití Eduardo
Jorge Knight Vera
Miguel Ángel Lobaina
Raúl Martínez
Manual Mendive
Ibrahim Miranda
José Omar
Marta María Pérez Bravo
Armando Posse
Rafael Queneditt Morales
Mauricio Reyes Aranda
Arnaldo Rodríquez Larrinága
Santiago Rodríguez Olazábal
Elio Rodríguez Valdes
Israel Tamayo Zamora
Rafael Zarza

 

Articles/Artículostop

A new Cuban connection: Lowe show on AfroCuba works is truly groundbreaking  1/21/2008 GG Art: "At the Lowe Art Museum through Feb. 3, AfroCuba is an unusual and extraordinary show -- most of the works are on loan from art institutions and artists in Havana and Santiago de Cuba. The show was curated by art historian Judith Bettelheim, who has written extensively about Caribbean art and culture and done research in Cuba since 1985. Curatorial Assistance Inc. of Pasadena arranged for the exhibit's U.S. tour. It comes to the University of Miami museum from San Francisco State University."

Afro-Cuban Artistry  12/13/2007 Miami New Times: "The Lowe Art Museum lowers the boom on the frantic citywide December art flurry with a pair of roundhouse combinations delivering stunning Afro-Cuban art and a knockout selection of works from one of America’s oldest art schools. “AfroCuba: Works on Paper, 1968-2003” features more than 60 prints and drawings by 26 artists from Havana and Santiago de Cuba, marking the first time these artists have been grouped together in a major exhibit off the island. The groundbreaking show includes a broad range of subject matter and styles that underscore Cuba’s deep African roots, the influence of Afro-Cuban religious imagery on that nation’s culture, and reflections on Cuban politics and race as well as social relations today."

AfroCuba: Works on Paper, 1968-2003. Indianapolis Museum of Art. February 25, 2007-June 3, 2007. Reviewed by Edward M. Puchner  9/1/2007 Museum Anthropology Review: "AfroCuba is of great importance to the people of Cuba because of its constant redefinition. Using the entrance label to cautiously discuss the term, the curator writes that it is “not exclusive in its connotations” and “not an entity based on race.” It is understood as part of all Cuban life, going well beyond the limits of visual arts. AfroCuba extends to a wide range of cultural groups, such as Lucumí, Congo, Ararà, and Carabalí, all identified as distinct within Cuban society. Within them, Bettelheim writes, AfroCuba “is a reality based on a particular shifting set of historical and cultural contributions” made by Cuban artists. The works of each artist shown here are therefore all AfroCuban in how they demonstrate some distinct intersection of Cuban historical experienceand African cultural belief."

Talk about "AfroCuba Through the Artist’s Lens"  2/25/2007 IndyBuzz: "The kaleidoscope of the contemporary Cuban experience--rife with satire, politics, and religion--becomes vivid in the Forefront exhibition, AfroCuba: Works on Paper, 1968-2003. Dr. Judith Bettelheim, professor of art history at San Francisco State University curated this thirty-five year chronicle of prints and drawings in many styles and techniques by twenty-six artists from Havana and Santiago de Cuba. In this talk, Dr. Bettelheim will provide context for viewing these diverse artworks that present the complexity of Cuba’s military and religious ties to Africa and offer vibrant critiques of contemporary race and social relations."

Afrocuba Works on Paper, 1968-2003. Review by Midwest Book Review  12/1/2005 The Free Library: "Bettelheim has put together a gallery of art works by 25 noted younger, contemporary, Cuban artists. The closing section is on Belkis Ayon, who died in 1999. A representative work of each of the artists faces a one-page essay on him or her. Many of the pictured works are from the past year or two. The oldest are from the 1970s. It's an eye-opening catalog displaying the liveliness and imagination in Cuban art works on paper over the past 30 years. One sees that Cuban art has not been retarded by U. S. efforts to ostracize Cuban under the Castro regime; and that as far as its art goes, Cuba reflects the latest in modern and contemporary art with respect to content and style, and in some cases political and social perspective."

March 4 & 5, 2005: International Center for the Arts presents "To Cuba With Love"  2/22/2005 SFSU: "To Cuba, With Love, the inaugural event of the new International Center for the Arts (ICA) at San Francisco State University, highlights a rich array of Cuban cultural tradition, music and visual arts March 4 and March 5 in San Francisco. The program opens with the West Coast AfroCuban All-Stars, an ensemble of nationally and internationally renowned bandleaders and stylists assembled specifically to venerate the inventor of Mambo, Israel "Cachao" Lopez (Friday, March 4 at 8:00 p.m. in the Forum at Yerba Buena Center for the Arts; pre-concert talk at 7:45 p.m. - SOLD OUT). Also on the program, a special guest appearance by Cachao, the ICA's first Marcus Prize winner for Lifetime Achievement. Next, the art exhibition AfroCuba: Works on Paper, 1968-2003 opens on the SFSU campus (Saturday, March 5 at 11:30 a.m.). An all-day event, the opening features music, dancing, film, Cuban food and a special music and video installation."
 

Links/Enlacestop

www.worldcat.org/title/afrocuba-works-on-paper-1968-2003/oclc/60397902

primo.getty.edu/primo-explore/fulldisplay?vid=GRI&docid=GETTY_ALMA21135483500001551&context=L

worldcat.org/identities/lccn-n82087778/  

www.publishersweekly.com/pw/authorpage/judith-bettelheim.html

 

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