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AfroCubaWeb
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XVI International Conference:
African And Afro-American Culture
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XIII
Conference:
Pedro Perez Sarduy,
Marta Cordiés Jackson and ambassadors in Cuba from Gambia and Guinea Ecuatorial |
The event aims to bring together experts, scholars and people interested
in African and African American issues, open a spacenfor
reflection on the most pressing problems of the subject, from a
multidisciplinary perspective.
Researchers from the social sciences, artists, doctors, filmmakers,
musicians, choreographers, dancers, priests and practitioners of folk
religions of African origin and the general public are called upon to
establish a discussion on the following topics.
I- GENERAL THEMES
ü
Pre-colonial Africa:
social, political and economic structures.
ü
Colonial Africa. Major
European establishments. Formation of countries and nationalities in
Africa. Wars of Liberation. Africa's relations with the world.
ü
The Atlantic slave
trade. Its treatment in the current historiography. The slave and forms of
manumission. Palenque and maroons. African attitude to trafficking.
ü
The African
contribution as a component of the national identity of the peoples of the
Americas and the Caribbean for recognition of our historical subject.
ü
Diachrony and synchrony
in linguistic, philosophical, historical and literary studies on Africa,
Afro-America and Afro-Caribbean.
ü
Gender, race and
identity.
ü
Africans and people of
African descent in the New World.
ü
Multiculturalism,
acculturation and re-Africanization as current trends to provide treatment
to the African component in the New World.
ü
The political and
cultural relations between Africa and the peoples of the Americas and the
Caribbean
ü
Contemporary African
and American religions.
ü
Africa in the
twenty-first century. The current cultural problems of the continent.
ü
African Diaspora in the
Caribbean. Diachrony and synchrony of the African presence
II- WORKSHOPS
A- Workshop, "Colour
and Shape"
Dedicated to all manifestations of the visual arts in which the African
influence becomes apparent. Painters, sculptors, ceramists, engravers,
photographers may participate with theoretical works about the following
topics:
ü
The African influence
in the visual arts of the New World. Spheres of contacts and influence
ü
The visual arts on the
African continent.
ü
The artist's concept in
Africa and America.
They may also participate with an exhibit of their work, with no more than
three pieces, which will be displayed in a collective hall. Or, prior
coordination with the management of the event, they may participate with a
personal exhibition.
Registration regulations comply with the general regulations of the event.
For these cases, the application must
be made before 30 October 2016 and pictures of the proposed pieces must be
sent.
B- Workshop
"Images"
Dedicated to ethnological film and video, to collect the image and
treatment given to the African influence on American culture and African
cinema.
Participants can show films, videos and present theoretical work on topics
such as:
ü
Literature, film and
video. Treatment of African descendants in the media.
ü
Ethnological video. Its
contribution to the knowledge of African reality and the process of
transculturation thereof in the New World.
Participants must enter on the deadline for submission of papers, the
technical means necessary for their exhibits. Videos and other film
materials may not exceed 30 minutes. In the case of producers who wish to
present their works, they will be exhibited in theatres in the city and
debates on them may be organised.
Registration regulations comply with the general regulations of the event.
C- Workshop "The
Ancestral Rhythm"
Dedicated to the music and dances of African origin.
Choreographers, musicians, dancers, musicologists and scholars in general
may participate; they will discuss the following topics:
ü
African music: history,
evolution and current situation on the continent.
ü
The African influence
in the music and dances of the New World. Analogies, differences, changes
and creation process up to the creation of national music.
ü
The African element as
a basis for staging musical and dance works.
Performanes not exceeding 10 minutes, with no more than 4 dancers may be
presented. In cases of groups that decide to participate in full, they
will be provided scenic areas of the city to perform, it being understood
that these functions are part of their exposure in the event and will not
be charged.
Registration regulations comply with the general regulations of the event.
D - Workshop
"Mask"
Dedicated to the theatre. The African influence and African descendants on
stage, for a contemporary view thereof.
Actors, theatre directors, set designers and students of theatre in
general may participate; they can exchange experiences from the following
topics under discussion:
♠
Presence of African elements in theatrical productions
♠
African descent on stage, both as subjects of history and as
playwrights
♠
The theatre in Africa
In
cases of groups that decide to participate in full, they will be provided
scenic areas of the city to perform, it being understood that these
functions are part of their exposure in the event and will not be charged.
Registration regulations are those general regulations of the event. In
the case of theatre groups who wish to participate and prior coordination
with the management of the event, a special registration fee may be
established per group.
III- SYMPOSIUM:
Medicine and Culture
A
space dedicated to the relationships established between the medical
sciences and disciplines of social sciences from the practice of the Cuban
internationalist medicine and other health agencies on the African
continent, which also set intercultural contacts through the medical
channel. This space allows to present their experiences both in the field
of medicine with works of the specialty and the challenges that the
experience that the culture shock provided them with.
Papers could be presented on:
ü
Psychiatry and religion
ü
Traditional African
medicine. Its evolution and relationship with others in the New World
ü
Tropical Medicine in
Africa and Afro-America
ü
The Cuban medical
experience in Africa. Relations between medicine and culture
ü
Doctors without Borders
and other similar organisations in their practice of medicine and culture
ü
The World Health
Organisation and its role in Africa
ü
AIDS and other epidemic
diseases in Africa
ü
Disease and ethnicity
in the black population
ü
Medicine, medical
policies and human relations
ü
Endemic diseases in
Africa and America
ü
Epidemics, viruses and
control of the spread of disease
IVº- GENERAL RULES OF
PARTICIPATION
A- Reception of
Abstracts of papers and communications
Abstracts up to 2 pages should provide general information on the main
topic of the papers and will include: title, full name of the author or
authors, scientific degree, educational category, institution and country
of origin, address, phone, fax, e-mail.
The papers may not have more than two authors and they may not appear in
more than two publications.
The author or co-author who cannot attend the event will receive their
diploma of speaker and their disc with the publication if they pay the
registration fee.
In
the case of the workshops, both theoretical works and photographs of art
exhibitions, abstracts and records of filmic works and data of the exhibit
must be submitted for inclusion in the Proceedings of the Conference.
They will be received no later than 30 October 2016.
B-Presentations
They may have a maximum length of 10 pages – if this length is exceeded,
the paper will not be published – and 15 minutes of presentation. They
papers will be published on a CD, for which they must be delivered in
digital format: double spacing, Arial 12 for the text and Arial 10 for
bibliography and notes (the latter will be placed at the end of the
document and its extension does not count in the number of pages).
Papers will be
accepted until 30 December 2016.
Only the papers that meet the above requirements will be published. The
Organising Committee is not responsible for the publication of the works
which, despite being accepted, arrive after the deadlines provided as
admission or do not meet the requirements of this announcement.
C-Workshops
Participants in the workshops. In the case of visual artists, they should
send a short CV of no more than two pages and photographs of the exhibit
that they will present for inclusion in the Proceedings; also, playwrights
and dancers will accompany the synopsis of their works, if they will
submit them, with a curriculum no more than one page; and if it is a
group, information about its history no more than three pages.
The Organising
Committee reserves the right to accept the papers or not. In all cases, it
will inform the interested parties on the matter until 15 January 2017.
D- Registration fee
Speakers and delegates 200.00 USD / MN
Students
100.00 USD / MN
It
will be paid at the time of their accreditation upon arrival at the event.
E- Accommodation
There will be modules of affordable accommodations in hotels in the city,
which may be requested through the Organising Committee or the tour
operator working for the event.
F- Languages
English, French and Spanish
G- Contacts
Dra. Marta E. Cordiés
Director: Fernando Ortiz African Cultural Ce
Ave. Manduley No. 106 esq. A 5ta
Reparto Vista Alegre, Santiago de Cuba, CP: 90400
Telefax: (53-22) 642487
(53-22) 623893 (nights)
E-mail:
martacordies@gmail.com
Lic. Maria Liduvina Bergues
Esp. / Relaciones Internacionales
mcordies@hotmail.com
Lic. Martha Martinez Verges
President Scientific Committee
ccult.f.ortiz@cultstgo.cult.cu
Dr. Luis Mancha
International coordinator
UNESCO Chair in Afroiberoamericanos Studies
E-mail: luis.mancha@uah.es
Professional Congress Organizer (PCO):
Paradiso
Commercial Specialist
Paradiso
turismo cultural
Santiago de Cuba
Email:
paradiso@scsc.artex.cu
Phone: 53 22 620214/654814
Note: Please send
communications and acknowledgment through the three e-mail addresses to
facilitate prompt communication.
Fernando Ortiz African Cultural Centre with links to previous conferences
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