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Daisy_RubieraDaysi Rubiera Castillo

Daysi Rubiera Castillo is a Founder of the Fernando Ortiz African Cultural Centre in Santiago de Cuba. In addition to the Spanish edition of Reyita, published in 1997, she is the author of Black Women in Cuba (From the 16th- to the 20th- Centuries)

Her mother was Maria de los Reyes Castillo Bueno (1902 - 1997),  a laborer and activist living in Cuba during the twentieth century. She tells her story through her daughter in Reyita: The Life of a Black Cuban Woman in the Twentieth Century. available via Amazon.com ==>

<= Foto de SEMLAC

Her mother Reyita was also the subject of a film, Blanco es mi pelo, negra es mi piel, by the well known Cuban filmmaker, Marina Ochoa.

Reyita: The Life of a Black Cuban Woman in the Twentieth Century, 9/00

María de los Reyes Castillo Bueno (1902-1997), a black woman known as “Reyita,” recounts her life in Cuba over the span of ninety years. Reyita's voice is at once dignified, warm, defiant, strong, poetic, principled, and intelligent. Her story—as told to and recorded by her daughter Daisy Castillo—begins in Africa with her own grandmother's abduction by slave-traders and continues through a century of experiences with prejudice, struggle, and change in Cuba for Reyita and her numerous family members

Sensitive to and deeply knowledgeable of the systemic causes and consequences of poverty, Reyita's testimony considers the impact of slavery on succeeding generations, her mother's internalized racism, and Cuba's residual discrimination. The humiliation and poverty inflicted on the black Cuban community as well as her decision to marry a white man to ensure a higher standard of living form the basis of other chapters. Reyita actively participated in the life of the community—often caring for the children of prostitutes along with her own eight children and giving herbal medicine and “spiritualist” guidance to ill or troubled neighbors. She describes her growing resistance, over five decades of marriage, to her husband's sexism and negativity. Strong-willed and frank about her sexuality as well as her religious and political convictions, Reyita recounts joining the revolutionary movement in the face of her husband's stern objections, a decision that added significant political purpose to her life. At book's end, Reyita radiates gratification that her 118 descendants have many different hues of skin, enjoy a variety of professions, and—“most importantly”—are free of racial prejudice.

“I am Reyita, a regular, ordinary person. A natural person, respectful, helpful, decent, affectionate, and very independent. For my mother, it was an embarrassment, that I—of her four daughters—was the only black one. I always felt the difference between us, because she didn’t have as much affection for me as she did for my sisters. . . . I was the victim of terrible discrimination from my mother. And if you add that to the situation in Cuba, you can understand why I never wanted a black husband. I had good reason, you know. I didn’t want to have children as black as me, so that no one would look down on them, no one would harass and humiliate them. Oh, God only knows! I didn’t want my children to suffer what I’d had to suffer.”—from Reyita

  "This joyous, amusing, and self-reflective blending of personal, family, and community life is a splendid example of the testimonio genre which Cuban authors have pioneered. Like Miguel Barnet's classic Autobiography of a Runaway Slave this book is obligatory reading for those of us interested in life histories, racism, subaltern studies, and Latin American history."-Barry Carr, La Trobe University

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Fernando Ortiz African Cultural Centre

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Cuba: Violencia: Daysi Rubiera, desafiando el silencio  11/30/2011 SEMLAC: "Golpes, gritos, abusos, silencios. Trece historias de mujeres víctimas de violencia de género estremecen al lector de Desafío al silencio, reciente volumen de la investigadora Daysi Rubiera. Pero esta vez Rubiera, licenciada en Historia y con una larga experiencia en el terreno de los estudios de género, se convierte de autora en protagonista, de estudiosa en entrevistada, y abre el libro con su propio testimonio de mujer maltratada."

Desafío al Silencio, de Daisy Rubiera - Historias que duelen  11/24/2011 Jiribilla 

Archivo de la etiqueta: Daysi Rubiera  11/21/2011 Negra Cubana: "Afrocubanas: historia, pensamiento y prácticas culturales - Esta selección de textos multidisciplinarios podría funcionar como la alarma de un reloj, una campanada o el famoso “disparo en medio de un concierto”. Es así, por su carácter incitador y su clara intencionalidad contra el típico discurso académico, en que predomina la ausencia de los temas —y las complejas problemáticas— del género y la raza."

Desde mi piel para Georgina Herrera  2/3/2011 Radio Cubana: "Esta pudiese ser una nota corriente: La reconocida escritora Georgina Herrera fue homenajeada en el Autor y su Obra, espacio de promoción literaria del Instituto Cubano del Libro. Lina de Feria, Daysi Rubiera y Gerardo Fulleda acompañaron en el panel a Herrera."

New Book: Daysi Rubiera Desafío al silencio [Challenging Silence]  10/12/2010 Repeating Silence: "Casa de las Américas presents “Mujeres en Línea,” a book presentation and discussion of Daysi Rubiera’s Desafío al silencio [Challenging Silence]. This book collects testimonies of battered women and their life stories, revealing the individual trajectories that led them to silence and breaking the silence about violence in the home. The panel discussion includes the participation of the author, Dr. Clotilde Proveyer (Professor at the University of Havana), poet Georgina Herrera, psychologist and editor of Social Sciences, Silvia Gutiérrez, and several of the interviewed women included in the book."

Entrevista a Daysi Rubiera Castillo  11/5/2004 LibrInsula: "En 1992 sostuve una conversación con mi mamá relacionada con una investigación que estaba realizando sobre la mujer negra en el período colonial cubano. Aquello la motivo y estimuló a contarme algunos aspectos de su vida, de su familia paterna y materna. Desde sus primeras narraciones fui descubriendo aristas insospechadas de su vida, en episodios tan poco conocidos en Cuba como el movimiento de regreso a África. Comprendí de lo valiosa de aquélla información. De esa forma. Se puede decir casual, surgió mi proyecto, mi Testimoniante. No la seleccioné. Ella se ofreció. Fue una linda relación de trabajo, casi única, entre madre e hija."

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